Phone +1 855 439 4881
All orders over $79 have complementary delivery in the USA and Canada with express options available at checkout.
You may also select to pick-up any order at the Average Showroom — located at 1081 Queen St. W. in Toronto — during checkout at no charge.
International shipping is calculated at checkout.
Average Archive orders are only available for delivery in Toronto or pickup.
For orders placed in Canada, customers will be subject to their Provincial and Federal sales taxes at checkout. Orders are not subject to any customs as the shipment is not leaving Canada.
Orders placed in the USA are shipped with pre-payed customs. You may still be subject to local sales taxes.
Customers outside of the USA and Canada will not be charged customs or taxes by Average. All prices shown are ex-VAT. Customers are subject to all local taxes, duties and import charges per their local jurisdiction.
Standard items (not Special Order) can be returned via mail or in-store within 14 days of purchase provided the items are packaged and unused.
Special Order items, Archive items, items marked down, personal care and bath products are all final sale.
The Clerici collection of wooden benches, chairs and tables is intended to radiate serenity.
The philosophy and construction of Clerici is consistent with Kontantin Grcic's first collaboration for Mattiazzi: The Medici Collection, 2012. Mattiazzi's excellence in technology and workmanship enables the interpretation of a classical typology with contemporary perfection.
The precision and simplicity of the pieces solid construction manifest a calm intensity that lives up to the architectural grandeur and clarity of spaces Clerici is destined for: living rooms, museums, waiting halls, restaurants, boutiques etc.
- Konstantin Grcic, Germany c.2015
- Solid, waxed oak of European origin
- Made in Italy
- Height 70cm / 27.5"
- Depth 65cm / 25.5"
- Width 140cm / 55.1"
- Seat Height (front) 39cm / 15.3"
- Arm Height 59cm / 23.2"
- Weight 33kg / 73lbs
Konstantin Grcic (b.1965) was trained as a cabinet maker at The John Makepeace School for Craftsmen in Wood before studying Design at the Royal College of Art in London. He set up his own office in Munich in 1991. Today, Konstantin Grcic Design GmbH is based in Berlin. The office is active in several fields ranging from industrial design projects, exhibition design and architectural collaborations. Amongst his renowned clients are Aeance, Authentics, Cassina, ClassiCon, Flötotto, Flos, Galerie Kreo, Kettal, Laufen, Magis, Muji, Mattiazzi, Nespresso, Plank, Smart and Vitra. He is the recipient of numerous awards such as the Compasso d`Oro for his MAYDAY lamp (Flos, 2001), the MYTO chair (Plank, 2011) and the OK lamp (Flos 2016). Work by Konstantin Grcic forms part of the permanent collections of the world´s most important design museums (a.o. MoMA/New York, Centre Georges Pompidou/Paris). Grcic defines function in human terms, combining formal strictness with considerable mental acuity and humour. His work is characterised by a careful research into the history of art, design and architecture and his passion for technology and materials.
Among contemporary furniture manufacturers, Mattiazzi, the family owned producer of wooden furniture in Udine, Italy, is uncommon. While many producers in that region rely on third party factories and work in diverse materials, Mattiazzi operates with their own machines and hands, and has developed a healthy obsession for woodworking. Since 1978, when brothers Nevio and Fabiano Mattiazzi founded the company, Mattiazzi has steadily cultivated its local manufacturing culture. Their network of wood shops is diverse enough to support any manufacturing process the brand may need. Every shop has its own focus, from milling to lacquering, and a particular process always belongs to a specific part of town. But don’t let the neighborhood approach confuse you: Mattiazzi is no backyard shop. Their highly specialized craftsmen operate the most sophisticated machinery available to the wood industry. An eight-axis CNC milling machine allows wood to take the complex shapes associated with injection-molded plastic. Operating such a machine is an art and Mattiazzi disproves the modern myth that mechanized manufacturing is not a craft.