Phone +1 855 439 4881
All orders over $79 have complementary delivery in the USA and Canada with express options available at checkout.
You may also select to pick-up any order at the Average Showroom — located at 1081 Queen St. W. in Toronto — during checkout at no charge.
International shipping is calculated at checkout.
Average Archive orders are only available for delivery in Toronto or pickup.
For orders placed in Canada, customers will be subject to their Provincial and Federal sales taxes at checkout. Orders are not subject to any customs as the shipment is not leaving Canada.
Orders placed in the USA are shipped with pre-payed customs. You may still be subject to local sales taxes.
Customers outside of the USA and Canada will not be charged customs or taxes by Average. All prices shown are ex-VAT. Customers are subject to all local taxes, duties and import charges per their local jurisdiction.
Standard items (not Special Order) can be returned via mail or in-store within 14 days of purchase provided the items are packaged and unused.
Special Order items, Archive items, items marked down, personal care and bath products are all final sale.
In Takenobu Igarashi’s design ancient craftsmanship and modern design blend in a natural way. Simple, easy to use and timeless.
This bottle opener won the Good Design Prize in 1990 and the German iF contest in 1993.
- Takenobu Igarashi, Japan (1990)
- Solid Stainless Steel
- Made in Japan
- Diameter 3"
Takenobu Igarashi attained international acclaim as a graphic designer in the mid-1970s through his axonometric alphabets. In 1979, GRAPHIS, a leading Swiss design magazine introduced and featured his work leading to work producing visual identities for major international clients. In the 1980s he started making alphabet sculptures and also advanced into the field of product design. For the Museum of Modern Art, New York, he produced a series of graphic and product design goods. The calendar with three-dimensional numerals, which he designed for eight consecutive years, is one of his masterpieces. In 1994, he ended his 25 years of design activity and moved to Los Angeles to become a sculptor. After working with marble, he discovered terracotta and wood as his material. He returned to Japan in June 2004. In recent years, he has been producing various sculptures and reliefs for public spaces all over Japan and has resumed his design activity from another view point as an artist.